Sara Stewart

Sara Stewart

Movies

Jason Ritter, Aubrey Plaza lead ‘80s-like ‘About Alex’

Contrary to its title, little in this likable if scattered indie actually concerns Alex (Jason Ritter), a rudderless 20-something who attempts suicide at the film’s outset. As he returns home from the hospital with bandaged wrists, his college buddies reunite to ostensibly offer support, which roughly translates to heavy drinking and reopening old wounds.

Sarah (Aubrey Plaza), a tax attorney with a secret yen to be a chef, nurses a longtime crush on banker Isaac (Max Minghella), who shows up with his much-younger girlfriend (Jane Levy). Curmudgeonly scholar Josh (Max Greenfield), who fancies himself a “truth-teller” but is in fact more of an a-hole, tumbles into bed with Sarah, as in their college days. And Siri (Maggie Grace) is facing a pregnancy scare with her boyfriend Ben (Nate Parker), a writer who peaked early with a New Yorker story and has been blocked ever since.

Max Minghella and Aubrey Plaza in “About Alex.”Screen Media Films
Debut director and writer Jesse Zwick (son of director Ed) doesn’t shy away from the obvious similarities to “The Big Chill” and its many imitators. “This is like one of those ’80s movies!” Sarah cracks over the first group dinner at Alex’s rambling, rural house. But unlike a dead body, there’s only the spectre of mortality — exemplified by the bloodstained bathroom that, implausibly, no one thinks to clean before Alex returns home, or for much of the rest of the long weekend.

Zwick has a good ear for dialogue, and scenes between pairs of characters are smart and intimate — a nice match for talents like Plaza and Greenfield, who are particularly fun to watch play off each other.

It’s a testament to Ritter that his presence here makes such an impression despite the lack of interest the film has in exploring his character’s damaged psyche. Red-eyed and swathed in a “Matrix”-like rag of a sweater, he radiates a desperation for meaning that seems to hint at a wider aging-millennial affliction. But as “About Alex” moves toward its conclusion, it devolves into some plot resolutions that were a lot less predictable back in the ’80s.